Bio​ (117 words):

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Sholeh Asgary (b. Iran) engages performance, interdisciplinary forms, and collective processes to memorialize and express the complexities of joy and survival inherent in diasporic and refugee experiences. Her work challenges colonial assumptions about what is heard, proposing new futures through sound.

 

Asgary’s work has been presented at Bay Area Now 9, the Getty’s Pacific Standard Time: “Atmosphere of Sound,” the San Francisco Electronic Music Festival, Portland Institute of Contemporary Art, and the San José Museum of Art. She has received support from Bemis Center for Contemporary Arts, MASS MoCA, the Foundation for Contemporary Arts, and Headlands Center for the Arts, and has been published in Art in America’s 2022 “New Talent Issue,” Hyperallergic, SONDUKE, and Art Practical. 

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Bio​ (269 words): ​

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Sholeh Asgary (b. Tehran, Iran) is an interdisciplinary artist whose practice engages sound, hybrid art forms, and performance to investigate, memorialize, and express the complexities of joy and survival inherent in diasporic and refugee experiences. Asgary’s primary material and deepest conceptual concern is sound. Through site-specific installations, sound sculptures, performances, archival projects, and collective collaborations, her work challenges colonial assumptions about what is heard, proposing new futures. 

 

Asgary’s debut album, آبـان (Aban), was released in 2024 through Sming Sming Books and Crystalline Morphologies to critical acclaim. A member of UCLA’s Art|Sci Collective, her work is featured in the 2024-25 Getty Pacific Standard Time Atmosphere of Sound exhibition and has been presented by institutions such as Portland Institute for Contemporary Art, Sotheby's, the San Francisco Electronic Music Festival, The Lab, / slash art, and Stanford University. Asgary is a 2023 Artadia Finalist and her Audio Archive Booth is short-listed for a 2025 Creative Capital grant. Her practice is featured in Art in America’s 2022 “New Talent Issue” and reviewed in international publications. She has received support from institutions such as Headlands Center for the Arts, MASS MoCA, Bemis Center, Culture Hub, and ARoS Kunstmuseum, and her awards include a Foundation for Contemporary Arts Emergency Grant, a California Arts Council Grant for MAJLES, and funding from the Kenneth Rainin Foundation for her compositional work for Dance Elixir. Asgary is an Assistant Professor of New Genres at the University of North Carolina-Chapel Hill, and as a long-time educator, previously held positions at the University of California, Berkeley, and California College of the Arts. She serves on the Southern Exposure curatorial council.