

About
Sholeh Asgary (b. Iran) engages performance, interdisciplinary forms, and collective processes to investigate, memorialize, and express the complexities of joy and survival inherent in diasporic and refugee experiences. Her work challenges colonial assumptions about what is heard, proposing new futures through sound.
Current
August, 2026
Where Ghosts Reside at the End of the World: Choreographies of Steadfastness in the Persistence of Empire, Heather Rastovac-Akbarzadeh
Heather Rastovac-Akbarzadeh (Department of Dance, University of California, Riverside, CA) on Sholeh Asgary's collaborative work in sound, video, and movement with Dena Al-Adeeb, Leyya Mona Tawil, and Daiane Lopes da Silva.
This article belongs to the Special Issue Bodies on Edge in a Globalized World
September, 2026
What Does Your Code Seek Out? Poetic Computational Fiberworks as a Framework for Digitally Spiritual Textile Adaptations, Mélika S. Hashemi, "Afterimage," UC Press
July 10, 2026
a small ocean swallowed at San José Museum of Art
Friday, July 10, 2026 – Sunday, February 14, 2027
curated by Talia Heiman, a small ocean swallowed brings together artworks that embody a sense of ecological entwinement, poetically and experimentally reorienting human relationships to water. The exhibition features work by six intergenerational and international feminist artists: Sholeh Asgary, Patricia Belli, Kiyo Gutierrez, Jessie Homer French, Erin Jane Nelson, and Sunaura Taylor.


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