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Movements, ink, watercolor, charcoal and gouache on paper, 60 x 36 inches 


I paint not only to understand my own perceptual place in history; but also its images, emotions, and meaning.  My own memory of such things is transposed by photography.  Using large movements of watercolor on paper, I create pared down depictions of things cast from memory.  Most of these images are an attempt at mapping cognitive processes through the landscape of the mundane: the daily drive between my home and studio.  What may appear to be an exercise in futility, is a quiet practice pondering the engagement of experience within an increasing image-culture society. 


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